Showing posts with label print book. Show all posts
Showing posts with label print book. Show all posts

Monday, December 4, 2017

Luz Makes a Splash by Claudia Dávila


Rating: WORTHY!

This author is a Chilean who now lives in Canada, and this is a great children's story about community activism, pollution, and taking charge. It's evidently the first in a series, which consists (as of this blog post) of two books: this one and a sequel called Luz sees the Light, a title which amuses me because light is the very meaning of Luz! Light is the meaning of Luz, Luz is the meaning of light! And on and on like the Neil Innes Beatles song parody he did for The Rutles (aka All You Need Is Cash).

In this book, Luz becomes concerned when there is a drought and she discovers that the refreshing little natural pool she and her friends used to visit on hots days like these, is all dried up! A nearby corporation is responsible. it's been using the water to manufacture its cola product! So yes, corporate responsibility and malfeasance also get a look in here. Luz learns many things about recycling, preserving and protecting water, and how to organize a protest.

The book is quite long and well-written, and nicely illustrated. It tells a smart and realistic story, and it offers an education along the way. I recommend it.


The Myth of the Oil Crisis by Robin M Mills


Rating: WARTY!

Subtitled 'Overcoming the Challenges of Depletion, Geopolitics, and Global Warming', this book did not impress me mainly because it failed to address the fact that no matter how much technology we bring to bear, and how much we can squeeze from a rock, the fact is that oil is a pollutant, is causing climate change, and is inevitably going to run out at some point. The more we can wean ourselves off it, the less it's going to bite us in the ass. That's the bottom line, and this author seems to be in denial about that.

We're producing oil at the rate of about 35 billion barrels per year. The total world reserves are optimistically estimated at 1.6 trillion barrels. At that rate, this means the reserves will be used up in less than half a century. So yes, we have passed peak oil.

The author seemed to have a problem with the concept of easy oil, idiotically arguing that no oil is extracted easily. I guess wells never gushed, huh? I know what he means, but the fact is that these are not absolute terms; they're relative, and yes, it's harder work to find new oil now than it used to be. Deal with it. His own discussion of retrieving oil in Kazakhstan belies his claim!

He's also flat-out wrong in other regards. When he published the book, oil may have been at one hundred dollars a barrel, but (as of this blog post) is less than half that. The problem he fails to recognize is not that expensive oil is a problem, but that cheap oil is and has always been a problem. The oil crisis isn't that there isn't enough or that it's expensive, it's just the opposite: there's too much for our own good, and it's selling too cheaply. This needs to stop.

He talks about the so-called 'peak oil theory' being consistently wrong, but fails to address the fact that it was predictably wrong in the past because of poor information and no foreseeable technology. You can't fault someone in 1904 or 1940 for failing to see where the world would be in 2014, but that doesn't mean we can keep mindlessly sucking oil out of the Earth indefinitely and with no consequences. His failure to address this means just what the blurb says: Robin Mills is an oil insider and therefore not trustworthy as a disinterested commentator. Of course he's going to put a gloss on it. I cannot recommend this one.


Friday, December 1, 2017

Mila 2.0: Renegade by Debra Driza


Rating: WARTY!

This is book 2 in a series, which was not known to me when I picked it up, otherwise I would have put it right back down. It looked interesting from the blurb (but doesn't it always?): an android on the run. Count me in! Why they don't call the female ones gynoid, I don't know any more than I know how there can be such a thing as a female android - or even a male one for that matter since they are robots and incapable of reproduction (one assumes!). I just did not get along with this novel at all though. The blurb online says it's "Perfect for fans of I Am Number Four and Divergent" which would have turned me off at once had I read that on the back of the book.

So Mila is on the run from General Holland and Vita Obscura, whoever they are. She's hanging with a guy, who to credit the novel where it's due, is not your usual type of studly YA male, although he does sport the ;laughable name of Hunter which is one of the go-to names for YA novels. The two of them are supposed to be looking for a guy named Richard Grady who is evidently someone who can tell her about how she came to be, but neither of them is smart enough to get that he is undoubtedly being watched and she will be captured as soon as she shows up in his neighborhood.

This was the biggest problem. Mila is dumb and she's obsessing on Hunter and none of that made any sense, but the dumb part was what really got me. She's too dumb to know that these people who are trying to track her might be using her own Internet searches to pin down where she is. I can't stand reading novels about dumb girls, and YA is replete with such novels. If she starts out dumb and wises up, that's one thing, but to be dedicatedly dumb is a huge turn-off for me, especially when the novel spends more time focused on how pretty Mila is than anything else.

Not for me. Not for me to recommend.


Sunday, November 19, 2017

Why Cats Paint by Heather Busch, Burton Silver


Rating: WORTHY!

I'm not a big cat fan, that is, I am not a big fan of cats, but when I saw this book I had to take a look at it. My conclusion is that either these two authors are either high amongst the most tongue-in-cheek authors ever, or they're dangerously delusional. I shall be charitable and go with the first of those options, mainly because I share their evident opinion that the art world is just as bad as the fashion world for being puffed-up, vacuous, and ridiculous.

Seen in that light, this book, subtitled "A theory of feline aesthetics" is brilliant, and I salute the authors. The tone is pitch perfect, the images gorgeous, and the overall effect hilarious. Cats are not the only animals that paint. By 'paint' I mean daub a surface with color. Chimpanzees and elephants do it, rhinos and meerkats (Google's idiot spell checker wanted to change that latter to 'marketeers' LOL!), raccoons and pigs, goats and lemurs, parrots, and even seals, and not just at Easter (or estrus)!

Employing the word 'paint' suggests a purpose. Do they have a purpose? Clearly it attracts them, but what exactly is going on in their sub-human brains remains to be seen. Something does however compel animals to daub the paint, yet no one can possibly know what's going on in the animals' mind, except, of course, these two authors who deliberate over it and quote references, and have a high old time extolling both art and artist!

I recommend this not only because it's intriguing that animals do this, but because of the images of the artists, which are charming and adorable, and also the art itself, which is inspiring for anyone who, like me, who all to often thinks he can neither paint nor draw. I recommend the book as a coffee table book, a reading book and a guaranteed conversation-starter.


Saturday, November 18, 2017

The Facts of Life by Paula Knight


Rating: WORTHY!

This was another library book. The author, Paula Knight, changed her name to Polly in the book as she changed everyone else's name too, so it wasn't too personal, but it is in fact a very personal story told by a graduate (BA in Graphic Design form Bristol Polytechnic in England about her pursuit of a pregnancy and her grappling with a fatigue syndrome.

Paula/Polly grew up an only child and tells an interesting and moving, and humorous story about her life beginning with hanging out with her best friend, learning about sex, and spending more and more time as she matured, wondering if she ever wanted to have children. In the end she discovered she had ME/CFS, which is myalgic encephalomyelitis/chronic fatigue syndrome, a very disabling illness which an come back and bite you often. It resulted in her losing all her energy at times, and feeling like everything was real struggle.

When she finally found the partner she wanted to be with, she was in her mid thirties and starting to feel a 'now or never' imperative to having a child of her own. When they began to seriously try, however, she and her partner repeatedly got the reward of very brief pregnancies ending in miscarriage, After trying IVF, she and her partner gave up. It was only then that she began to notice how pervasive 'pronatalism' - the idea that a family consists of mom, dad, and one or more children - truly is in society.

Illustrated by the author in simple gray-scale line drawings, this novel is well imagined and well executed, and (be warned!) takes a no holds barred approach to telling her story of sexuality, of growing up in Britain in the seventies and eighties, of learning, of struggling, of disappointment, and finally of coming through it all with a new perspective on life. I really liked the story and I recommend it.


The Astonishing Ant-Man Everybody Loves Team-Ups by Nick Spencer, Brent Schoonover, Ramon Rosanas, Jordan Boyd


Rating: WARTY!

This was the polar opposite of the previous volume I read. I know I'm more than likely reading these out of sequence, but I don't think that matters in this case since it was so disjointed!

Whilst the previous one at least held my interest, even if it did not inspire me to read more, when I moved on to this second volume (which I'd already checked out of the library), I found it was not at all to my taste. The artwork was of the same standard as the previous book I read, but the story here was nonsensical and choppy, and simply did not draw-in my interest let alone hold it.

Worse than this, I ran into the same comic book issues that I've seen in all-too-many comic books. These were muted somewhat in the previous volume but put out on full exhibition here. One major reason I do not favor reading very many comic books is the genderist portrayals of male heroes versus female heroes. The men are all wearing these simple or functional costumes. The women are not.

The Giant, for example wears an old-style Flash costume: one piece, skin-hugging, bright red and black, with a cowl incorporated into the costume. He how would even get into such a costume, let alone feel comfortable wearing, is a question I long ago gave up asking, but note one important thing: his junk is not on view! Indeed, he looks like a castrated angel because he has no bulge whatsoever in his crotch! Maybe Pym particles shrink the penis and testicles? So why don't those particles also shrink the secondary sex organs (so-called) of the female heroes instead of projecting them fantastically outwards?

Ant-man wears a similar red and black outfit with a utility belt and a helmet the purpose of which I have still to grasp. Its sole purpose seems to be to give his head a vague ant-like appearance. Whatever it is, he's evidently so enamored of it that he even wears it when he takes a woman to bed with him.... Captain America, who is the token black guy in this comic, has this bizarre high collar on his outfit, which comes up over his ears, and he wears goggles. Since the original Cap had none of that, I can only assume that its only purpose is to hide as much black skin as possible so's not to offend readers that an Africa American has been uppity enough to trespass upon their pristine WASP comic book.

Compare and contrast this with the female heroes, none of whom are black. They all wear high heels, even in costume, and they all have low-cut tops so that even if no flesh is actually exposed, it's suggestive of it. In a flashback, one of them commendably wears a costume which is an exact duplicate of her male counterpart (no high heels!), but then that's completely subsumed under a Thing costume, so she never gets to be herself.

The outfit that takes the cake though, is when a super villain named Beetle appears. Her costume, while exposing no flesh (she wears a black onesie) is topped with thigh-high boots (with the inevitable heels), and she also wears a bustier with thin straps over her shoulders and a sharp V-cut at her crotch to make it clear that's where her V-shaped pubic mound is for anyone who might have got lost as their eyes climbed those boots leading up to 'Heaven'. Seriously? Why?

'
This book is garbage and I dis-recommend it for anyone who has any integrity, decency, and self-respect.


Friday, November 17, 2017

The Astonishing Ant-Man Small Time Criminal by Nick Spencer, Ramon Rosanas, Annapoala Martello, Brent Schoonover


Rating: WORTHY!

This was a graphic novel I got from my wonderful local library on spec. I loved the Marvel movie, but my love doesn't necessarily translate to a love of the associated comic books. In this case it almost didn't, but in the end I liked this enough to consider it a worthy read, even though it was hardly brilliant. It certainly wasn't as funny as the Ant-man movie.

In a small way, this was an origin story although it really didn't give the entire story. That was more of a reminiscence. In it, Scott Lang is separated from his family (as in the movie) and is bothered and bewildered by what's going on around him. In the comic book, the Pym Particles are things which can be carried and handed around almost like drugs. Some of them found their way to Lang's daughter, Cassie, who is more grown-up than in the movie.

She has been a Young Avenger, but somehow lost her powers and now feels their absence painfully. This is why she throws her lot in with a villain who works at an organization called 'Hench'. Why the police would not be interested in a man who claims to be able to turn people into super-villains goes completely unexplored here, and this is one problem I have with both movies and comic books: the stories completely neglect existing law-enforcement and the larger world, such as with fire-fighters and national guard, the FBI, the CIA, and so on. It's like those people don't exist in Super World™!

Cassie thinks she can get her powers back (or get some powers anyway) by infiltrating Hench under the premise that she wants to become a super villain. When she gets her powers she will turn on them, The villain figures out her motives, but he agrees on a deal with her: if she will retrieve something that was taken from him, he will grant her powers and they can go their separate ways, no hard feelings. Scott doesn't realize this of course - he just learns his daughter is working with super villains and has to deal with that shocker.

A friend of Scott's becomes Giant Man by employing his share of Pym Particles, but he does so much damage due to his size that the people of San Francisco detest him, so Scott takes him to a Lego village and has him practice being a gentle giant. This is mildly amusing, but more amusing, and why I rated this worthy, are the super-villains. They're more clownish than villainous and I grew to like them and sympathize with them as Cassie works with them to complete her task and earn her powers.

So overall a worthy read but not something that made me want to rush out and grab the next issue (although I do have one more issue to review!).


Shutter Island by Dennis Lehane


Rating: WORTHY!

Set in 1954, the story begins with two US Marshals setting out for Ashecliffe Hospital for the Criminally Insane which is housed in an old fort on Shutter Island. On the ferry to the island where the story opens, Teddy Daniels has a new partner named Chuck Aule with whom he has never worked. Teddy is throwing up in the bathroom.

They are sent to investigate the disappearance of a female inmate named Rachel Solando, who evidently murdered her own three children, so the story has all the hallmarks of a locked room mystery. I saw the film made from this novel some time ago and barely remembered it, so my impression was that I didn't like it very much, but I decided to give the novel a go anyway since I'd liked this author's novel Mystic River. After I read this I watched the movie again and liked it, but was not overwhelmed by it.

The novel was good though, and I found that the reader quickly learns that not everything is as it seems here. People appear to be keeping secrets. There are hints that perhaps some radical experimentation is taking place on the island on some of the patients. It doesn't help that real clues are hard to come by, that many of the potential witnesses are literally insane, that Teddy is suffering migraines, and that a hurricane is coming down hard on the island. Worse than this, Teddy has an agenda - to find the guy who he thinks burned down his home and thereby killed his wife, and he thinks Andrew Laeddis is somewhere in Ashecliffe.

It became apparent at a point early in the story that someone was deluding themselves, but I could never tell whether it was going to take the predictable route or if there really was something else going on. It took the predictable route, but that didn't make it any less of a worthy read for me. I enjoyed it and I recommend it.


Wednesday, November 1, 2017

Daughter of Winter by Pat Lowery Collins


Rating: WARTY!

This book might appeal to the intended age range, but for me it was poorly done, and makes American Indians look like antiquated idiots. That said, it was set in 1849, when everyone by today's standards seems antiquated, but the story itself simply made no sense.

Addie is twelve, and lives in Essex, Massachusetts, where shipbuilding is the line of work every boy wants to get into. Girls have no choice about their lives, and this never changes for Addie. Her father took off to join the California gold rush and almost as soon as he's gone, her mother and infant brother take sick with "the flux" and both die. This is where we join the story.

With Anna fearful of being sent into servitude, she conceals her family's death and steals a coffin for burying them, from the local undertaker. This is the first problem because this is not an insubstantial theft, and had it been investigated, which it undoubtedly would have been, it would have led directly to the girl who dragged the pine box to her home, yet she gets away with it!

Unfortunately, her continued rejection of the town's people's offers to come visit her mother eventually reveals the truth. Rather than stick around, Addie flees into the woods, looking for 'Nokummus' (the Wampanoag word for grandmother, aka Nokomes), an American Indian woman who offered to help Addie, but who singularly fails to do so.

As it turns out, Nokummus is quite literally Addie's grandmother, but we have to wade through countless tedious pages as Addie flees home in mid-winter, camps out in a lean-to near a shipyard, and all but freezes and starves despite her supposedly having experience of camping with her father. I can't help but ask, since Nokummus was known in Essex and several people knew she was Addie's grandmother, what the hell was the whole story about? Why did this woman not come and live with Addie when her father left town, so everything was okay?

Rather than help her granddaughter, this clueless, selfish, dangerous woman left Addie to her own devices until she was almost dead, then "rescued" her and took her off to a deserted island just off shore, apparently for no other reason than to have Addie find her daughter's grave. Nokummus had thirteen years to find that grave! What the hell was she doing in all that time? Sitting on her idle ass, doubtlessly.

She takes Addie in (and I mean that in every conceivable sense), and poisons her by feeding her some bark gruel so Addie vomits profusely, then hallucinates, and finally and wakes up after a two-day bender, deludedly thinking she's communed with the spirits. After this, Nokummus finally lets Addie return home, and moves in with her! The selfish bitch couldn't have done this in the first place and gone on this grave-search next summer? What a bunch of pinto dung!

Nothing is resolved. Addie never moves to the Wampanoag tribal lands to become their powwaw. Her father doesn't even return by the end of the novel so all the 'waiting, hoping. crying' for him is a complete red herring. Her best friend John proves himself as big of a jackass as the school bully who picks on Addie because she's a 'halfbreed'. Justice is never served on that dick, but John is just as bad save for being more subtle in his prejudices and dickishness, and he gets no comeuppance either so I guess that's fair. The story is a mess and not even a hot mess since it's set in winter. I think it stunk and I think it's insulting to and belittling of American Indians, and I cannot recommend it.


The Moonlit Road and Other Ghost and Horror Stories by Ambrose Bierce


Rating: WARTY!

This was a very slim and very uninteresting volume. I am sure it would have been quite the ticket in the later eighteen hundreds, when Bierce was at his most prolific (not that these particular stories were published in Bierce's lifetime, but by today's standards, they leave a lot to be desired and I cannot recommend them.

I didn't read them all because they were not interesting to me, but the ones I did read all seemed to be the same story re-dressed with a few changed details and trotted out as something new. One trick pony describes it well, I think.

There were too many of them which were rooted in darkness and icy chills blowing hither and thither, and on purportedly scary footsteps, strange marital discord, vague descriptions of bad things happening, and one line conclusions. It really became too tedious to read them after the first three or so.

I found myself skimming a couple more and gave up on it as a bad job about half way through. Maybe other readers will have a different experience, but this was definitely not for me, despite my liking An Occurrence at Owl Creek, which was why I picked this up in the first place. Ambrose Bierce disappeared in Mexico in 1914 whilst covering the revolution there, and was never seen or heard from again. I think his own story told as fiction would be a lot more interesting than this collection was!


Sayonara, Gangsters by Genichiro Takahashi


Rating: WARTY!

The original Japanese of this book was translated into English by Michael Emmerich, but frankly and honestly, for all the sense it made to me, I may as well have gone with the original language because I got nothing out of it that I could not have got from simply staring at the (to me) incomprehensible Japanese symbols. Actually, I would have been better off! At least the Japanese characters would have been beautiful to look at!

The book provided absolutely no hook, door, access, or invitation whatsoever to get into this story and I'm guessing that's because there was no story. It's like walking through an art gallery which displays only bad paintings, all by different artists, on different subjects and in different styles and periods, and trying to make a coherent story out of them (and by that I mean something other than a history of bad art!).

The paintings have no connection whatsoever other than that they're all paintings. Well this was all sentences, but the words had no connection. It was pretentious nonsensical garbage and I ditched it in short order. If this review clues others into the way the wind is blowing, and helps you avoid mining something so unseemly, then the warning from the weather vane to avoid this vein will not have been in vain!


Sunday, October 22, 2017

Secrets From the Eating Lab by Traci Mann


Rating: WORTHY!

I have to say that I'm a little suspicious when I see a book about dieting or health and the author has a string of letters after their name. You never see highly-regarded science authors like Stephen Gould, or Carl Sagan, or Richard Dawkins doing that. In this case, it's just PhD which all too often in these situations seems to stand for PinheaD judged by some of the crap I've seen published accompanied by initials, but in this case, Traci Mann is not only completely legit, she's smart, perspicacious, interesting, and full of useful information and ideas.

She's the leader of the Mann lab at the University of Minnesota, which despite some slightly less than PhD English ("We are a psychology laboratory, under the direction of Dr. Traci Mann, that focues [sic] on how people control their health behaviors" is a going concern, testing out why people behave the way they do vis-à-vis food and dieting and fads.

This book is subtitled "The Science of Weight Loss, the Myth of Willpower, and Why You Should Never Diet Again" and though I've been fortunate enough never to have felt like I had to go on a diet, it's convinced me that I now never will because diets are useless and pointless, serving only to enrich the fat wallets of those fatheads who devise these idiotic and ultimately fruitless schemes.

Why don't diets work? They do in the short term, but with very rare exceptions, people always put the weight back on, and sometimes more than they shed, because your body is predisposed to keep you within a certain weight range, usually of thirty pounds wide, and no matter what you do, you will have a hell of a time in trying to nudge it out of that zone. Biology, advertising, evolution, and other factors are all against you.

That sounds depressing, but the author also offers a better reason not to diet: you are not necessarily unhealthy even if you are deemed 'overweight'. If you're eating healthily and exercising, it doesn't matter what your weight is, because your overall health and life expectancy is going to be the same as those skinny people you seek to emulate so much.

One thing I (and evidently other reviewers) had an issue with is that on the one hand, the author says we have this weight range we tend to stay within which is why dieting is pointless, but on the other hand, there has been a steady increase in average weight among Americans over the last few decades. How is this possible if we have this natural weight baseline that makes it just as hard for us to seriously overeat as it does to shed weight?

The author doesn't seem interested in trying to reconcile this discrepancy in her reporting. Is her 'weight range' shifting upwards, and if so how did this happen and doesn't it overturn her claim that we have an immutable range for our weight, within which we're stuck? Is this weight range very large, which means there is hope for people who do want to try to shed many pounds? Genes do not change this fast, so is there an epigenetic factor in play here? Or is there something wrong with her whole philosophy? It would have been nice to have seen this addressed if not resolved.

The book is in four parts with several subsections: 'Why Diets Fail You', 'Why You Are Better Off Without the Battle', 'How to reach Your Leanest Livable Weight', and 'Your Weight is Really Not the Point'! You can't argue with the science or the clear information and suggestions laid out here. I recommend this book not only because it offers sound advice, but as an interesting read about weight, health, and dieting, and also about psychology and societal pressures.

The book isn't perfect by any means, but it takes a rational approach, and offers simple and scientific advice on what works and what doesn't, and tips on how to make what works, work for you. I've seen a lot of negative reviews of this book complaining about how it talks about your leanest livable weight but never tells you how to calculate it. These reviewers completely missed what had been said earlier! You don't have to calculate anything, because you're already in your weight range. It's your baseline! You can lose a few pounds within your range by eating healthily and exercising, and you're there. No calculation required!


Strega Nona by Tomie dePaola


Rating: WORTHY!

I considered this a worthy read, but it's the first in a series and I don't think based on this one, that I'd be interested in a series, but then it's not aimed at me; it's aimed at young children who might find it worth their time.

My biggest problem with it was that the story was really not original. It's merely a retread of the Sorcerer's Apprentice story. This guy works for Strega Nona (this term means grandmother witch). One day he sees her make spaghetti using a spell, but he misses a crucial part to turn-off the charm, and so when she's out and he makes his own pasta, it never stops spewing out.

Soon the whole village is being strung along but even they can't eat it all. Fortunately, Grandmother Witch returns in time to stop the issue and then the poor assistant has to eat all this pasta until he is fed up of it.... It was a fun read, but not really al dente enough for me to order a second course.


The Matzo Ball Boy by Lisa Shulman, Rosanne Litzinger


Rating: WORTHY!

An hilarious take on the gingerbread man from a Jewish perspective, this book is about the runaway matzoh ball boy who is chased by various people, including a rabbi, and who meets with the fox, but the story doesn't follow the expected route, which is the best part of all.

I found it funny, nicely illustrated by Rosanne Litzinger, and amusingly written by the author. I recommend it.


Help! The Wolf is coming! by Vincent Bourgeau


Rating: WORTHY!

This was a short young children's book; that is, its not a book for young children who are short, but a short book for all young children! It was a great idea, and it originated in France. The book is bright and very colorful, and a fun read. There's a wolf coming (and walking on two legs yet!) and it's heading right for you! Can you avoid the wolf?

Well the writer suggests various ways to get rid of it, by turning the book around and trying to get the wolf to slide off the page! It's a neat interactive scheme, because the drawings accommodate the idea that your actions are making a difference; then the author brilliantly suggests going back to the start to see if you really got rid of the wolf! I think you could occupy a young child for hours with a book like this while you get working some more on your own novel, so it's a great investment! I recommend it.



Ghost Pяojekt by Joe Harris, Steve Rolston


Rating: WARTY!

I began thinking I was not going to like this graphic novel which I picked up at my local library, but it turned out OK. Not great, but at least a worthy read. The cover was very cool: I found out by accident that it glowed in the dark! Yes, it was gimmicky, but still fun. Joe Harris's writing was okay, btu nothing to write (home) about. Steve Rolston's art was average. Dean Trippe's coloring was entertaining, but again nothing spectacular. And who cares who lettered it? Seriously? Print the damn thing. Letterers need to retire.

This made me more disappointed when I began reading the story because it offered too much disjointed mystery to start with and was confusing. It was set in Russia though, which I approve of because it's tiresome to read story after story set in the USA as though this is the only country in the world - or at least the only country which has stories worth telling or people worth learning about.

The problem with setting the story in a non-English speaking country is how to convey that it's non-English being spoken. I've seen several tricks employed to achieve this, none of which is 100% successful, but some work better than others depending on how you employ the technique. I personally think you need to establish the setting and then trust the reader to fill in the blanks - but don't lard it with too many blanks!

Some writers do it by using foreign words followed immediately by their English translation. No-one talks like this and it's really annoying to me. I prefer an occasional foreign word where the context makes the word intelligible even when you don't know what it means. A better alternative is to simply make your setting convincing enough that you can use plain English with no foreign words.

Here they made a bad choice because they did the annoying repetitive thing, but hen when it came to measurements and weights, they used American values: pounds, instead of kilos for example, which was a glaring faux pas. Sometimes writers simply do not think their story through. They also used stupid Russian interpolations, such as calling one of the characters 'Operativnyk so-and-so' instead of simple calling them 'Operative'. Every time I read this I thought 'amateur'.

Once the story got into its swing though, it took off and became quite entertaining as long as I let slide the aforementioned annoyances. The story seemed to be about biological warfare agents, and there was an American on Russian soil trying to track these down and dispose of them. He had some internal problem sustained form a previous unsafe encounter with a bio-weapon, but as soon as the supernatural element started to come into play, it became obvious he'd find a cure for his condition, and he did.

That was trite, but the story was unusual and I appreciated that. I like the girl ghost even though her behavior sometimes made no sense, and the story moving quickly and changing scenes lots of times. The characters were occasionally dumb and overall, not exactly overwhelming, but were okay for a graphic novel. The female Russian agent was average in her characteristics, so nothing special there, but not awful, and in general, it was an engaging story once it hit its pace, and I consider it a worthy read.


Tuesday, October 10, 2017

Devoted by Jennifer Mathieu


Rating: WORTHY!

Rachel Walker is a seventeen-year-old who has been raised all her life in a Christian cult. I'd argue that all religions are cults, but some are far worse than others. The author apparently rooted this story in what is known as the "Quiver-Full" cult which is merely, from what I can tell, a religious movement that sees children as a blessing from their god and so wants 'their women' to have as many children as possible to the forfeiture of everything else in life.

Whether there are any of the coercive/oppressive elements in that cult that are depicted here, I can't say since I know very little about it, but since (as I understand it) the author did work with some escapees from the cult, then I'm quite willing to take her word for it, knowing how oppressive religion can truly be when it gets its way, and goes unchallenged and unregulated.

Rachel's family is very large, and her mother just had a miscarriage and is not handling it well, feeling like she's a failure for not increasing the tally of her offspring. She retreats to her bed for some considerable time, leaving Rachel, as the oldest unmarried daughter, to step in and assume mom's role in raising her siblings, cooking, cleaning, helping her father run his tree-trimming business, and helping her younger brothers and sisters with their schooling. This starts to wear on her and make her a bit resentful even as she tries to put it into the perspective in which she's been raised: that she's a woman and this is her duty.

Rachel has led a very sheltered existence, although she was not sheltered from the appalling mental abuse. She knows little of the real world, having been taught only that it's a godless, sinful place, so she is very naïve and backward when it comes to life outside her claustrophobic community, even as she shows herself to be a smart and curious young woman.

She's a believer though, and she tries to meet all the expectations put upon her by the Calvary Christian Church: thinking pure thoughts, dressing modestly, obeying parents, being always cheerful, praying, Bible reading, and on and on. The more she feels put upon though, the less she feels like this is what she wants in life, and it scares her that very soon she's going to be married-off to someone and expected to churn out children.

Her only respite from this oppression is her access to her father's computer, ostensibly so she can help him with his accounts, his work schedule, and maintain his website, but really so she can also look up things to educate herself. This is where her 'downfall' begins, because she's aware of a young woman named Lauren who left the community, and is now shunned by it, yet Lauren came back to this small town where Rachel lives. She did not rejoin the religious community however, and Rachel is curious about her.

She starts to focus on Lauren more and more, wondering what happened to her, and why she came back yet did not come back to the fold, and pondering if she might have answers to Rachel's ever-growing list of questions about her own life. Rachel discovers that Lauren has a web site and begins reading her story, eventually emailing her and beginning a hesitant dialog.

Despite her academic smarts, Rachel isn't that smart in other things, and eventually she's found out. Threatened with the horrifying prospect of being sent to the brutal 'Journey of Faith' brainwashing isolation camp, Rachel decides to leave the community, and her escape is made possible by Lauren who immediately comes to her aid. Lauren puts Rachel up in her modest apartment - sleeping on the couch - and Rachel tries to get her life in order.

I did not like the debut novel this author wrote, so I was a bit skeptical of this one, but it sounded interesting. Even as I began reading it, I wasn't sure I would finish it, but it drew me in, and I ended up liking it, despite some issues with it so overall, I recommend it as a worthy read.


Tuesday, October 3, 2017

And I Darken by Kiersten White


Rating: WORTHY!

Errata:
P89 "...staunch the flow..."! No, it's stanch the flow.
p100 "There was more silk and gold in this single room than in the whole caste at Tigoviste." I think she meant castle!

This book plays rather fast and loose with history but tells a thoroughly engaging story about two children of Vlad Dracul. One of them was a real historical son named Radu the Fair, in this novel known only as Radu, although he is described as being very appealing to women. Vlad also had a daughter named Alexandra. In 1442, he was required by the Sultan to leave two sons as hostages. in this story however, Vlad leaves one son - Radu - and his daughter, who is renamed Lada Dragwlya here.

Radu is gay and resentful of his father for neglecting and diminishing him. He ends up befriending the sultan's heir, Mehmed, and falling in love with him, although Mehmed is clueless as to Radu's feelings and certainly gives no indication that he shares any of them. Mehmed himself starts falling for Lada, but while Lada befriends the young heir, unlike Radu, she has no interest in living in the country she's held hostage by, or in adopting it's Islamic religion. Radu on the other hand embraces it all and is devoted to his religion and to Mehmed.

What Lada is interested in is being self-sufficient and reliant on no one. She eventually manages to ingratiate herself with the Janissaries, the mercenaries the Sultanate employs to guard the Sultan and fight the Sultan's battles. They were Europe's first standing army since the Romans. Lada trains hard and becomes a fearless and skilled fighter who few can outmatch. She is, while detesting her captivity and virtual imprisonment, fiercely loyal to Mehmed herself and saves his life more than once. This makes for an interesting triangle, and the complexity and ever-shifting boundaries and perspectives is a lesson to all young adult writers in how to write a realistic triangle (if you must do a triangle).

I noticed some reviewers did not like Radu or Lada. I guess Radu wasn't manly enough for them, and they disliked Lada in particular because she was so fierce and vicious. I recommend these people read about Vlad Tepid instead of Vlad Tepes and family, because clearly a strong female character isn't what they're interested in. Me, I loved Lada warts and all, because I understood exactly where she was coming from. And you know what, there were real life female warriors throughout history who were like her more or less, so she isn't unrealistic at all. I'd sorry such readers want a truly tamed, neutered, domesticated, and lifeless Barbie doll to stand in for a woman, but that's not the kind of woman I want to read about - or to write about!

The book is quite long (some 470 pages) and I normally have no interest in reading books this long about this sort of period in history, yet this one drew me in from the start, and made for an engrossing and entertaining read. I do not know if I want to continue reading it though. By that I mean that this is the first volume of The Conqueror's Saga. I typically do not like series and I flatly refuse to read books which are part of a series described by the words 'saga', 'chronicle', 'cycle' and the like. I only read this because I thought it was a stand-alone, so while I may continue this series, I am not sure I want to at this point. I was satisfied by this first volume, and my fear is that reading another will sour it for me!

That said, this particular volume was a worthy read and I recommend it. I do plan on writing a sequel to it which I shall call And I Coordination....


Sunday, October 1, 2017

Friends With Boys by Faith Erin Hicks


Rating: WORTHY!

This comic was available online for a short time while it was being created, but now you can only get it from a store or as I did, from my excellent local library. I saw it on the shelf recently, and was immediately attracted to it.

The title was what drew me in. I think it was great and when I looked inside, the story looked pretty entertaining, and it turned out to be exactly that: pretty to look at, and entertaining. It was a fast and fun read, and although there were some issues with the execution, I consider this a worthy read.

Main character Maggie is about to start high school after being home-schooled all her life to this point. Her mom, who schooled her, has up and left the family. This was one issue with the story - there didn't seem to be any real explanation as to why mom left - she just left, everyone accepted it, and no one seems to have any ongoing problem with it. That was weird and underdeveloped, and it made for a noticeable hole in this story. It was one of several. Maggie's dad is the local police chief in this small town (which begs the question as to how it manages to support a large high school!), and his only real involvement in the story is that he has to get his hair cut for his new job.

Taking of weird though, I read one negative review which seemed to be based solely on the odd questions asked of Maggie when she started high school by someone who had no idea what home schooling was all about and so was asking really dumb and ignorant questions. Having been home-schooled herself, this reviewer then made the same mistake the fictional character made, but approaching the issue ignorantly. She took this personally and ranted on and on about it! She simply did not get is that this was fictional - that it was not a prescription for behavior, or a how-to manual! It's simply a fictional tale which feature, briefly, some dumb kid asking dumb questions.

What the reviewer didn't get was that there are, in real life, dumb people who ask dumb questions, or ignorant people who ask inappropriate questions in their ignorance - people whose mind isn't broad enough to encompass something outside of the cozy rut they are in. In downgrading a novel for depicting real life, this reviewer showed that she, too, is in the same kind of blinkered rut that the fictional character had occupied. I found this amusing and those criticisms invalid.

Maggie has several brothers, two of which are twins who seem to be fighting with each other more than ever before, since one of them seems to be seeking some sort of independence or differentiation from his twin, whereas the other seems fine with the way things are. She has an older brother who keeps a watchful eye on her, but in general, her brothers leave her to find her own way through high school, just as they had to when they started school.

Maggie's biggest problem though, is that she's led a very sheltered life and knows no one at this school except for her brothers, whom she now sees have all kinds of friends, including many female ones. She soon partners up with a female friend of her own named Lucy who has a partially-shaven head (for fashion, not from some medical condition). Lucy has a brother, Alastair, and the two are very close (and very close shaven), but Alastair seems not to be liked by Maggie's own brothers. This is made out to be rooted in some big bad secret: that Alastair is a bad person, but this was another plot problem: when the reveal comes, it's really nothing at all, so this set-up fell flat.

The third issue was the ghost. Maggie sees this ghost of a woman in the cemetery, and the ghost comes and looks at her face to face, but it never says a thing to her no matter what she says to it. Maggie cannot figure out what it wants, and that's how the story ends: the ghost drifts off down a cemetery pathway and disappears, and we never do find out what it wanted or why it was haunting Maggie. This was a disaster.

That aside though, the story itself was fun overall, and interesting, and it featured a lot of idiosyncratic activity and events which amused me greatly. So overall, and despite three big issues, this writer/illustrator of this black and white line-drawing comic still managed to make me rate this as a worthy read! See? It can be done!


Friday, September 22, 2017

Teen Boat! by Dave Roman, John Green


Rating: WORTHY!

There seem to be an awful lot of reviewers (even positive ones) who simply didn't get this book. It was a parody, and on top of that, it was gorgeously illustrated and on top of that, it was funny.

The stories were off the wall, but were also played for serious effect even as humor came squeezing through at every tack. Frankly, this is something and I might have launched in all seriousness to get my kids going and make them think their dad is really losing it - as they accuse me of so often (especially after I released Baker Street), but these guys (Dave Roman writer, John Green - not the John Green who makes me barf - artist) actually produced it. It's about this teenage guy who can turn into a boat! It was pretty funny, and consistently so through every story.

This foreign exchange student comes to the school and her name is Nina Pinta Santa Maria. Teen Boat (his actual name) falls for her, but she only has eyes for the school jock, who is a jerk of course. Teen has a best friend, a girl named Joey, whom he takes completely for granted. He is so oblivious of her that it's truly funny rather than annoying, although it does make me wonder why she puts up with him.

But then Joey has a secret of her own which isn't revealed in this volume. One of my sons, who seems to have inherited my wife's power to divine these things long before I ever do, thinks she's secretly an iceberg, and I'm on board with that. She's definitely a cool character.

Teen Boat runs for class president, falls in love with a Gondola, crashes into a gas tanker on his driving test, and has a run in with pirates, and therein a sequel lies! One which I shall track down ASAP and hopefully find it on sail..... If not, I may well end-up on the dock before the judge and be propelled with a stern warning into the brig for failing to bow! If looks could keel!